John Neagle

1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.


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John Neagle Portrait of Opera Singer oil


Portrait of Opera Singer
Painting ID::  84919
Portrait of Opera Singer
Date 1845(1845) Medium English: Oil on Particleboard Dimensions 28.1 x 22.9 cm (11.1 x 9 in) cjr
   
   
     

John Neagle John Walsh oil


John Walsh
Painting ID::  85278
John Walsh
Date ca. 1840 Medium Oil on canvas cjr
Date_ca._1840 _ Medium_Oil_on_canvas _ cjr
   
   
     

John Neagle Thomas W. Dyott oil


Thomas W. Dyott
Painting ID::  85674
Thomas W. Dyott
Date ca. 1836 Medium Oil on canvas Dimensions 75.5 x 63.5 cm (29.7 x 25 in) cjr
   
   
     

John Neagle Julia Dodd oil


Julia Dodd
Painting ID::  85681
Julia Dodd
Date ca. 1852 Medium Oil on canvas Dimensions 76.4 x 63.1 cm (30.1 x 24.8 in) cjr
   
   
     

John Neagle George Dodd oil


George Dodd
Painting ID::  85683
George Dodd
Date ca. 1852 Medium Oil on canvas Dimensions 76.1 x 63.7 cm (30 x 25.1 in) cjr
   
   
     

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     John Neagle
     1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.

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